Forcibly removed from their homes in the late 1830s, Cherokee, Creek, Choctaw, and Chickasaw Indians brought their African-descended slaves with them along the Trail of Tears and resettled in Indian Territory, present-day Oklahoma. Celia E. Naylor vividly charts the experiences of enslaved and free African Cherokees from the Trail of Tears to Oklahoma’s entry into the Union in 1907. Carefully extracting the voices of former slaves from interviews and mining a range of sources in Oklahoma, she creates an engaging narrative of the composite lives of African Cherokees. Naylor explores how slaves connected with Indian communities not only through Indian customs—language, clothing, and food—but also through bonds of kinship. 

Examining this intricate and emotionally charged history, Naylor demonstrates that the “red over black” relationship was no more benign than “white over black.” She presents new angles to traditional understandings of slave resistance and counters previous romanticized ideas of slavery in the Cherokee Nation. She also challenges contemporary racial and cultural conceptions of African-descended people in the United States. Naylor reveals how black Cherokee identities evolved reflecting complex notions about race, culture, “blood,” kinship, and nationality. Indeed, Cherokee freedpeople’s struggle for recognition and equal rights that began in the nineteenth century continues even today in Oklahoma.

Excerpt available online.

deluxvivens:

As for those who “mingled their blood” with African-Americans, they, too, would be absorbed—though they might not like the consequences. Let us consider the example of the Gingashins. This eastern tribe had two strikes against it: Its members refused to give up their traditional lifeways; even worse, they intermarried freely and unashamedly with blacks.

This was anathema to Virginia elites. Intermarriage with whites could be, and was, tolerated. Intermarriage with blacks, however, was an intolerable challenge to the arbitrary color line that had been in place since the first chattel slavery law passed in 1661. Thus, in 1813, the Gingashins made their way into the history books, becoming the first U.S. tribe to be terminated.

Needless to say, Gingashin identity did not die with the legal decree. As late as 1855, Rountree notes, county maps showed an “Indian Town,” an Indiantown Creek, and a settlement of seven houses. Eventually, however, white antagonism, not to mention opportunism, forced the Gingashins to merge into a sympathetic African-American community. Tribes such as the Pamunkeys, Mattaponis, Upper Mattaponis, Nansemonds, Rappahannocks, and Chickahominies took note of the lesson—and learned how to resist.

A century later, armed with the awesome power of the state, Plecker declared war on these people. Consulting a listing of surnames associated with Native American ancestry— such as Beverly (from beaver), Sparrow, Penn or Pinn, Fields, Bear, and so on—and drawing his authority from century-old census records that were likely to list Indians as “mulattoes”—particularly if the census were taken in summertime, Houck notes— Plecker embarked on a crusade to re-classify every Native American in the state as an African-American.

Battles in Red, Black, and White: Virginia’s Racial Integrity Law of 1924

(via deluxvivens-deactivated20130417)

This beautifully written book tells the haunting saga of a quintessentially American family. It is the story of Shoe Boots, a famed Cherokee warrior and successful farmer, and Doll, an African slave he acquired in the late 1790s. Over the next thirty years, Shoe Boots and Doll lived together as master and slave and also as lifelong partners who, with their children and grandchildren, experienced key events in American history—including slavery, the Creek War, the founding of the Cherokee Nation and subsequent removal of Native Americans along the Trail of Tears, and the Civil War. This is the gripping story of their lives, in slavery and in freedom. Meticulously crafted from historical and literary sources, Ties That Bind vividly portrays the members of the Shoeboots family. Doll emerges as an especially poignant character, whose life is mostly known through the records of things done to her—her purchase, her marriage, the loss of her children—but also through her moving petition to the federal government for the pension owed to her as Shoe Boots’s widow. A sensitive rendition of the hard realities of black slavery within Native American nations, the book provides the fullest picture we have of the myriad complexities, ironies, and tensions among African Americans, Native Americans, and whites in the first half of the nineteenth century.

Google Preview available.